The architectural structures in this painting are similar to Northern Italian Roman-inspired churches.  One theory as to why Veronese was interrogated by the Tribunal is that the inquisitor wanted to show he was capable of this job. That was not the only painting of the Last Supper which Veronese made for a refectory. Republic. The church continues to commemorate this Last Supper and the institution of the new covenant by celebrating the Lord's Supper or Communion.  These churches were known for stairs that led up to them, which is mirrored in this painting.  Although in Venice the Holy Tribunal generally did not give harsh sentences, they did have the power to invoke death sentences. Last Supper Theme Changed  However, the painting led to an investigation by the Tribunal of the Holy Inquisition in Venice.  It is likely that Veronese went against linear perspective due to concerns about the large surface the painting was to take up, as well as the many different angles from which viewers would be seeing this artwork. Tintoretto, the Miracle of the Slave. (1528-88) Transcript of the trial: On Saturday, July 18, 1573, Paolo Caliari Veronese who lives in the parish of San Samuele, Venice was summoned to appear before the Holy Tribunal by the Holy Office [the inquisition], there he stated his name when asked. It is now in the Gallerie dell'Accademia in Venice. Paolo Veronese (1528–1588), The Last Supper (c 1585), oil on canvas, 220 x 523 cm, Pinacoteca di Brera, Milan. Veronese's. (1572, Monte Berico, Vicenza). Interestingly, the only lasting effect of the Inquisition's Last Supper, one of the most famous artworks in the world, painted by Leonardo da Vinci probably between 1495 and 1498. It got worse. The Trial of Veronese. A priest, Veronese said, had asked him to replace a dog in his new painting of the last supper with a Magdalene. Veronese's 42-foot painting in the Santi Giovanni e Paolo monastery of Christ's last supper displayed his mastery of color and detail but also showed this generally solemn scene as a massive party. As it happened, Veronese did no such thing, but solved the problem by simply renaming the work as Feast in the House of Levi. by Domenico Ghirlandaio; Kunsthistorisches Museum, Vienna. The painting Paolo Veronese's version of the "Last Supper" caused him to be called before the Inquisition. Based on Luke 5:27-32 it concerns the banquet given for Jesus by the tax-collector Levi.  These figures were seen as inappropriate to include in a religious work of art. the Roman Catholic Inquisition to defend himself against charges of heresy. However, the painting led to an investigation by the Roman Catholic Inquisition. art, but Veronese's case was much more serious. It was a nontraditional last supper scene and people claimed it went against God, he was forced to destroy his fresco succo painting or rename it a. Veronese. Church of Santo Tome, Toledo, Spain. Veronese moved to Venice in the early 1550s and stayed there for the rest of his life, becoming one of the leading painters of the 16th century. with guests. - in Mark 14:22-24; Matthew 26:26-28; and Luke 22:19-20.). Transcript of the trial: On Saturday, July 18, 1573, Paolo Caliari Veronese who lives in the parish of San Samuele, Venice, was summoned to appear before the Holy Tribunal by the Holy Office [the inquisition], there he stated his name when asked. which of the three "Last Suppers" was depicted. Veronese's attitude towards painting and the way in which main and subsidiary features may be contrasted in a composi-tion, the inquisitor did not comment on it. 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